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	<title>diasporic literature spot &#187; Kirby-Nagar Liat</title>
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	<description>διασπορική λογοτεχνική στοά</description>
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		<title>On achieving ‘truth’ in writing … (&quot;The Write Approach&quot; col. 6)</title>
		<link>http://diasporic.org/2010/06/liat/truth-in-writing-col-6/</link>
		<comments>http://diasporic.org/2010/06/liat/truth-in-writing-col-6/#comments</comments>
		<pubDate>Mon, 07 Jun 2010 11:59:23 +0000</pubDate>
		<dc:creator>Kirby-Nagar Liat</dc:creator>
				<category><![CDATA[Australia]]></category>
		<category><![CDATA[English]]></category>
		<category><![CDATA[The Write Approach...]]></category>
		<category><![CDATA[Writer help]]></category>
		<category><![CDATA[truth]]></category>

		<guid isPermaLink="false">http://onesilos.com/all/?p=3005</guid>
		<description><![CDATA[As writers we draw on many facets of ourselves for the telling of a story, the creation of a poem.  We utilise knowledge, experience, feelings, sensory perceptions, memories, et al.  As mentioned previously, you have a SITUATION and a STORY; to bring this alive the feelings that belong to it must be acknowledged and then realized as being the actual &#8230; <a class="more-link" href="http://diasporic.org/2010/06/liat/truth-in-writing-col-6/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>On the discipline within writing, and imagination… (&quot;The Write Approach&quot; col. 5)</title>
		<link>http://diasporic.org/2010/05/liat/on-the-discipline-within-writing-and-imagination%e2%80%a6-the-write-approach-col-5/</link>
		<comments>http://diasporic.org/2010/05/liat/on-the-discipline-within-writing-and-imagination%e2%80%a6-the-write-approach-col-5/#comments</comments>
		<pubDate>Wed, 05 May 2010 09:27:29 +0000</pubDate>
		<dc:creator>Kirby-Nagar Liat</dc:creator>
				<category><![CDATA[Australia]]></category>
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		<guid isPermaLink="false">http://onesilos.com/all/?p=2827</guid>
		<description><![CDATA[The last column focussed on the discipline required within writing and I intended to devote two columns to this subject due to both the importance of it and the confusion that can enter a writer’s mind in relation to utilising emotion, imagination and discipline. Hence this column continues the discussion. Please Login or Register to read the rest of this &#8230; <a class="more-link" href="http://diasporic.org/2010/05/liat/on-the-discipline-within-writing-and-imagination%e2%80%a6-the-write-approach-col-5/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>1</slash:comments>
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		<title>On the discipline within writing… (&quot;The Write Approach&quot; col. 4)</title>
		<link>http://diasporic.org/2010/03/liat/on-the-discipline-within-writing-%e2%80%a6-column-4/</link>
		<comments>http://diasporic.org/2010/03/liat/on-the-discipline-within-writing-%e2%80%a6-column-4/#comments</comments>
		<pubDate>Mon, 22 Mar 2010 10:37:49 +0000</pubDate>
		<dc:creator>Kirby-Nagar Liat</dc:creator>
				<category><![CDATA[Australia]]></category>
		<category><![CDATA[The Write Approach...]]></category>

		<guid isPermaLink="false">http://onesilos.com/all/?p=2701</guid>
		<description><![CDATA[Every work of literature has both a situation and a story.  The situation is the context or circumstance, sometimes the plot; the story is the emotional experience that preoccupies the writer, the insight, the wisdom, the thing one has come to say. <a class="more-link" href="http://diasporic.org/2010/03/liat/on-the-discipline-within-writing-%e2%80%a6-column-4/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>On the ‘freedom’ in writing&#8230; (&quot;The Write Approach&#8230;&quot; col. 3)</title>
		<link>http://diasporic.org/2010/02/liat/freedom-in-writing/</link>
		<comments>http://diasporic.org/2010/02/liat/freedom-in-writing/#comments</comments>
		<pubDate>Thu, 18 Feb 2010 12:08:39 +0000</pubDate>
		<dc:creator>Kirby-Nagar Liat</dc:creator>
				<category><![CDATA[Australia]]></category>
		<category><![CDATA[The Write Approach...]]></category>

		<guid isPermaLink="false">http://onesilos.com/all/?p=2196</guid>
		<description><![CDATA[The topic for the February column of ‘The Write Approach …’  is inspired by my written conversation with Nicholas Fourikis (03/04 Feb.)  He discussed the freedom, or otherwise, associated with different genres of writing from his perspective.  While we would all agree, I think, that the different forms have their own restrictions and demands, I want to discuss the power and the freedom that goes with working with words ‘imaginatively’ across genres.  Without the use of imagination with any material we are attempting to analyse or associate with, we can only produce a more commonplace prose or verse. <a class="more-link" href="http://diasporic.org/2010/02/liat/freedom-in-writing/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>On the energy in words… (&quot;The Write Approach&#8230;&quot; col. 2)</title>
		<link>http://diasporic.org/2010/01/liat/energy-in-words/</link>
		<comments>http://diasporic.org/2010/01/liat/energy-in-words/#comments</comments>
		<pubDate>Wed, 20 Jan 2010 00:28:05 +0000</pubDate>
		<dc:creator>Kirby-Nagar Liat</dc:creator>
				<category><![CDATA[Australia]]></category>
		<category><![CDATA[Diasporic News]]></category>
		<category><![CDATA[English]]></category>
		<category><![CDATA[The Write Approach...]]></category>

		<guid isPermaLink="false">http://onesilos.com/all/?p=2116</guid>
		<description><![CDATA[Two important elements we need to employ in this regard are imagination and curiosity. Even when writing ‘facts’ and non-fiction we need to use our imagination. We need to imagine ourselves into the facts to create the possibility of our understanding them or having empathy with the situation. In other words, we must be able to put ourselves in the shoes of others. Curiosity or interest can be the instigating force here. And when we succeed in doing this the words emerge with energy... <a class="more-link" href="http://diasporic.org/2010/01/liat/energy-in-words/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>On writing and the demands of words&#8230; (&#8220;The Write Approach&#8230;&#8221; col. 1)</title>
		<link>http://diasporic.org/2009/12/liat/introduction/</link>
		<comments>http://diasporic.org/2009/12/liat/introduction/#comments</comments>
		<pubDate>Mon, 14 Dec 2009 08:27:21 +0000</pubDate>
		<dc:creator>Kirby-Nagar Liat</dc:creator>
				<category><![CDATA[Australia]]></category>
		<category><![CDATA[The Write Approach...]]></category>

		<guid isPermaLink="false">http://onesilos.com/all/?p=1833</guid>
		<description><![CDATA[Please bear in mind that fuller discussion and examples to support my suggestions here are really what are required for any concrete benefit, as well, I think, as face to face interaction. Also, it needs to be said that different genres attract different necessities. Obviously, poetry is a more distilled form of writing where every single word counts and any word not contributing full energy has to go; crime fiction calls for good plot development and a fast narrative, whereas these two elements in other forms of fiction may not be as crucial; memoir writing is very different to autobiography or biography in its demands, and so on... <a class="more-link" href="http://diasporic.org/2009/12/liat/introduction/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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